The idea of a continuous evolutionary image to me is symbolic of an aesthetic narrative echoing the historical Asian form. The Kosode Scroll is built on the thoughtful juxtaposition of color and form creating a sensation of advancement and recession throughout the vertical plane emphasizing the directional flow and movement. It is not framed or protected, meaning, it could easily be harmed or destroyed. Metaphorically representing nature, culture and humanity in a sense of physicality and spirit, it is fragile and vulnerable to old biases.
The Floating World exhibition is my interpretation of 18th century Japanese culture, formalist theory and postmodern consciousness in terms of methods of appropriation, materials, design and ornament.